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"Paul Thomas Anderson has referred to “Punch-Drunk Love” as “an art house Adam Sandler film.” It may be the key to all of the Adam Sandler films, and may liberate Sandler for a new direction in his work. He can’t go on making those moronic comedies forever, can he? Who would have guessed he had such uncharted depths?"
From the concluding paragraph of Roger Ebert’s 2002 review for the film Punch-Drunk Love, in which he fails to accurately predict the future.